INSPIRING FUTURES

Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 134.

A

Atton, Chris (2015) Writing about popular music: continuity, change and convergence in a digital age. In: Musikkritik: Historische Zugänge und systematische Perspektiven. Anklaenge: Wiener Jahrbuch für Mikwissenschaft . Mille Tre Verlag, Vienna, pp. 11-32. ISBN 9783900198428

Ashton, Nicholas (2014) Why Benjamin Britten’s War Requiem still resounds today. The Conversation.

Atton, Chris (2014) What can we learn from ‘unpopular’ music and its audiences? In: Studying Music: An International Conference in Honour of Simon Frith, 10-12 April 2014, University of Edinburgh. (Unpublished)

Atton, Chris (2014) Curating popular music: authority and history, aesthetics and technology. Popular Music, 33 (3). pp. 413-427. ISSN 0261-1430

Atton, Chris (2013) Cultures of Listening: The popular aesthetics of 'difficult music'. In: Languages and Literature Seminar Series, 2 October 2013, University of Strathclyde. (Unpublished)

Atton, Chris (2012) Listening to 'difficult albums': specialist music fans and the popular avant-garde. Popular Music, 31 (3). pp. 347-361. ISSN 0261-1430

Atton, Chris (2011) Big noise, little worlds: genre and the cultural politics of territory in the live experience of “extreme” music. In: The business of live music, 31 March - 2 April 2011, University of Edinburgh. (Unpublished)

Atton, Chris (2011) Fan discourse and the construction of noise music as a genre. Journal of Popular Music Studies, 23 (3). pp. 324-342. ISSN 15242226

Artt, Sarah (2011) The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. In: Sonic Futures: soundscapes and the languages of screen media, 23 - 26 June 2011, King's College London/Birkbeck. (Unpublished)

Atton, Chris, McCleery, Alistair, Mabweazara, Hayes and Ward, Simon (2008) Creative Futures: Building the Creative Economy through Universities. Project Report. Million+, London.

Ashton, Nicholas (2007) Robert Crawford: works for piano. [Performance]

Ashton, Nicholas (2007) John White’s Sonata no 108 “Reminiscenza di tempi di tango”.  (1983). [Performance]

Atton, Chris (2003) A bit of the crust: mostly improvised… mostly composed…. The Sound Projector (11). pp. 38-39.

Atton, Chris (2002) Review of "Progressive Rock Reconsidered". Popular Music, 21 (3). pp. 386-388. ISSN 0261-1430

Ashton, Nicholas, Beeston, Michael, Burrin, Phillip and Mutter, C (2002) Chamber music performances with the Edinburgh Quartet. [Performance]

Ashton, Nicholas (2002) Chaconne: in memoriam Colin O'Riordan. [Performance]

Atton, Chris (2002) What’s left of the new left. The Sound Projector (10). pp. 120-121.

Atton, Chris (1999) Herein(g) the Sonic Arts Union: an anthology of transformations. The Sound Projector (6). pp. 28-30.

Atton, Chris (1988) Some answers to some questions about improvised music. Improvisor (8). pp. 32-40.

Atton, Chris (1988) Improvised music: some answers to some questions. Contact: a journal of contemporary music (33). pp. 13-17. ISSN 0308 5066

B

Burton, Katrina (2015) Madlener House. [Composition]

Brechin, Sandy, Martin, Ronan, Agnew, Chris and Currie, John (2015) The Keilidh. [Performance] (Unpublished)

Burton, Katrina (2014) Making Connections. [Composition]

Burton, Katrina (2014) from Webern to dance to Burton. [Composition]

Burton, Katrina (2013) Dialogue for bass clarinet and bassoon. [Composition]

Brechin, Sandy, Smith, Alison and Currie, John (2012) BBC Radio Scotland - The Golf Show - Theme Tune. [Audio]

Brøvig-Hanssen, Ragnhild and Harkins, Paul (2012) Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups. Popular Music, 31 (01). pp. 87-104. ISSN 0261-1430

Brechin, Sandy, Currie, John, Brady, Peter, Chalmers, Sheila, Wilkinson, Ewan and Werner, Richie (2011) The Sunday Night Sessions - Sandy Brechin and Friends. [Audio]

Burton, Katrina (2010) Miniatures for Horn Trio. [Composition]

Burton, Katrina (2009) 951912 for orchestra. [Composition]

Brechin, Sandy, Wilkinson, Ewan, Katz, Mike and Currie, John (2009) Hard Times Come and Go. [Audio]

Burton, Katrina (2008) 74 Front Street (for solo cello). [Composition]

Burton, Katrina (2008) NY10128. [Composition]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) Frontiers and Bridges. [Audio]

Brechin, Sandy and Currie, John (2007) Electric Landlady - The Sensational Jimmy Shandrix Experience. [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2007) Embracing the unknown. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) The cold dancer. [Audio]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2006) Sohal’s String Quartet No.2. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip, Mutter, C and Dempster, Kenneth (2006) Clarinet and String Quartet. [Performance]

Burton, Katrina (2006) Moon Palace I. [Composition]

Burton, Katrina (2006) “Floating sculptures”. [Composition]

Brechin, Sandy, Marwick, Gavin, Agnew, Chris, Taylor, David, Brown, Alan and Currie, John (2006) Unstoppable - Burach. [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Five senses. [Performance]

Burton, Katrina (2005) As Time Passes. [Composition] (Unpublished)

Burton, Katrina (2005) Moon Palace II. [Composition] (Unpublished)

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Hans Gal – the complete string quartets. [Audio]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2005) McEwan’s Fantasy Quintet. [Performance]

Burton, Katrina (2004) The Chrysler Cycle. [Composition]

Burton, Katrina (2004) Water, reflected. [Composition]

Burton, Katrina (2003) doing what has to be done. [Composition]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2003) Perseverance. [Performance]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Stanzeleit, S (2003) Kenneth Leighton: Piano Quintet, Piano Trio, Piano Quartet. [Audio]

Burton, Katrina (2003) the eyes are filled with images. [Composition]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Stanzeleit, S (2002) Kenneth Leighton, Quartets 1 & 2, Seven Variations for String Quartet op. 43. [Audio]

Burrin, Phillip, Bailey, Mark, Beaston, M and Stanzeleit, S (2001) Scottish string quartets. [Audio]

D

Durkin, Rachael (2014) A barretone, an instrumentt of musicke: its history, influences and development pre-1750. The Galpin Society Journal, 67. pp. 85-272.

Durkin, Rachael (2013) The Viola d'Amore - its heritage reconsidered. Galpin Society Journal, 66. pp. 139-147. ISSN 0072-0127

Duncan, David Thomas (2008) Variations for Two Pianos by David Thomas Duncan. [Performance] (Unpublished)

Davismoon, Stephen (2006) Towards the water’s edge. [Composition]

Davismoon, Stephen and Rodger, J (2006) Love Eurydice. [Composition]

Davidson, Lindsay (2006) Towards a fusion of western classical/contemporary and traditional Scots bagpipe composition techniques: "Manntaireachd". PhD thesis, Edinburgh Napier University.

Davismoon, Stephen (2005) ‘...a common treasury ... fragmented’. [Composition]

Dempster, Kenneth (2005) Six feet of blood. [Performance]

Dempster, Kenneth (2005) Six feet of blood. [Composition]

Dempster, Kenneth (2005) The Cold Dancer. [Composition]

Dempster, Kenneth (2004) Peer Gynt. [Composition]

Davismoon, Stephen (2004) The transmutation of the ‘old’ with the ‘new’ in the modernist vision of Edgard Varèse. Contemporary Music Review, 23 (1). pp. 45-58. ISSN 0749-4467

Dempster, Kenneth (2002) Seven fans for Alma Mahler. [Composition]

E

Eccles, John (2012) Poetry and symmetry as organizing forces in music. MPhil thesis, Edinburgh Napier University.

F

Ferguson, Paul (2016) Real-time long-distance music collaboration using the Internet. Transactions on Innovation in Music, 2 (1). (Submitted)

Ferguson, Paul (2015) Real-time teaching of musicianship and audio engineering using LOLA – ‘LOw LAtency audio/ video streaming. In: 26th UK AES Conference on Audio Education 2015 Glasgow, UK., 26th to 28th September 2015, Glasgow, UK.

Ferguson, Paul (2013) Using Low-Latency Net-Based Solutions to Extend the Audio and Video Capabilities of a Studio Complex. In: Audio Engineering Society International Convention #134, 4-7 May 2013, Rome, Italy.

Fitch, Lois and Hails, John (2010) Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough. In: Contemporary Music: Critical and Theoretical Perspectives. Ashgate, Aldershot, UK, pp. 319-330. ISBN 978-0754604976

Fitch, Lois (2005) Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough. In: Fourth Biennial International Conference on Twentieth Century Music, 25-28 August 2005, University of Sussex.

Ferguson, Paul and Hook, Dave (2005) In Perpetuity. [Composition]

Ferguson, Paul (2004) Bartok & Kodaly. (Linn Records CKD 234). [Performance]

Ferguson, Paul (2002) Castle: By Fire and Sword. [Audio]

G

Gamble, Jordan, Brennan, Michael and McAdam, Rodney (2016) A rewarding experience? Exploring how crowdfunding is affecting music industry business models. Journal of Business Research. ISSN 0148-2963 (In Press)

Gibb, Marjory Patricia (2008) An appreciation of Telemann's recorder music in relation to the development of modern techniques in this genre ans the inclusion of programmatic and new-Baroque elements. MPhil thesis, Edinburgh Napier University.

Guerney, Tristan, Langridge, P, Owen-Norris, D and Layfield, M (2007) Songs from the pleasure garden. [Audio]

H

Harris, Michael (2016) The Auld Alliance: Organ music from Scotland and France. [Audio]

Hails, John (2016) Nine for ones in nine: a schizophrenic cyborg love story. In: Guest lecture, 20 April 2016, Edinburgh Napier University. (Unpublished)

Harris, Michael (2016) The complete organ sonatas of August Ritter. [Audio]

Hails, John (2015) Sh. [Composition]

Hails, John (2015) enlightenment. [Composition]

Hails, John and Hopkins, Gerard Manley (2014) Pied Beauty. [Composition] (Unpublished)

Harris, Michael (2012) Organ Recital Mainzer Dom. [Performance]

Hails, John (2012) EMG. [Composition]

Harkins, Paul (2012) Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings. Popular Music and Society, 35 (5). pp. 629-649. ISSN 0300-7766

Harkins, Paul (2012) La transmission perdue et retrouvée. (Transmission lost and found). Réseaux, 172 (2). p. 92.

Harris, Michael (2011) The Organ Music of William Wolstenholme. [Audio]

Hails, John (2011) DUO1. [Composition]

Hammond, Drew (2011) Watershed (2011) for Two Pianos. [Performance] (Unpublished)

Harris, Michael (2010) Hail, gladdening light: Anthems from St Giles'. [Audio]

Harkins, Paul (2010) Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate, pp. 177-194. ISBN 978-1-4094-0340-1

Hails, John (2008) BE GOOD. [Composition]

Hails, John (2008) EMG 2008. [Performance] (Unpublished)

Harris, Michael (2008) Great European Organs No 75. [Audio]

Harkins, Paul (2007) Todd Edwards & the microsample: speed & spirituality in UK Garage. In: Oslo, Norway, 18th - 20th October 2007, University of oslo.

Harris, Michael (2006) Concert 1 August 2006 – Rassa. [Performance]

Harris, Michael (2005) Organ Concert 23 September 2005. [Performance]

Harris, Michael (2004) An Edinburgh celebration. [Audio]

Hails, John (2003) De contemplationis digitis. [Composition]

Hails, John (2003) Lovesongs. [Composition]

Hails, John (2002) Cantus 1. [Composition]

Harris, Michael (2002) The organ at St Giles. [Audio]

Hails, John (2001) Der Heimat zu. [Composition]

L

LePlâtre, Grégory and Brewster, Stephen A (1999) Perspectives on the design of musical auditory interfaces. International Journal of Computing Anticipatory Systems, 4. pp. 227-239. ISSN 1373-5411

M

Medbøe, Haftor (2015) The compass of Nordic tone: jazz from Scandinavia. In: Nordic Research Network 2015, 18 - 19 February 2015, University of Edinburgh, Edinburgh UK. (Unpublished)

Medbøe, Haftor and Dias, Jose (2014) Improvisation in the digital age: New narratives in jazz promotion and dissemination. First Monday, 19 (10). pp. 1-26.

Medbøe, Haftor (2014) Dictated dichotomies: Locating Scandinavian jazz. In: Rhythm Changes 2014 - Jazz Beyond Borders, 4 - 7 September 2014, Amsterdam NL. (Unpublished)

Medbøe, Haftor (2014) Jazz Scenes and Networks in Europe: Repackaging Independent Jazz – New Strategies for Emerging Markets. In: KISMIF conference: Underground music scenes and DIY cultures, 8 - 11 July 2014, Porto PT. (Unpublished)

Medbøe, Haftor (2014) Popular music provision at Edinburgh Napier University: observations and points of enquiry. In: Popular Music Pedagogy, 24 January, 2014, University of Edinburgh. (Unpublished)

Medbøe, Haftor (2013) The promoter as cultural conduit: between jazz and a hard place. In: Jazz Talks: 1st university of Aveiro jazz conference, 8 - 9 November 2013, Aveiro PT. (Unpublished)

Medbøe, Haftor (2013) Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration. PhD thesis, Edinburgh Napier University.

Medbøe, Haftor (2013) Groovin’ High and Low: exploring the jazz vernacular. In: Rhythm Changes 2013, 11 - 14 April 2013, Salford UK. (Unpublished)

Medbøe, Haftor (2012) Nordic Tone: Redrawing borders of culture and boundaries of style. In: International Musicological Society, 1 - 7 July 2012, Rome, Italy. (Unpublished)

Medbøe, Haftor (2011) Cultural identity and creative autonomy in Nordic jazz. In: Rhythm Changes: Jazz and National Identities conference 2011, 1-4 September 2011, Amsterdam NL. (Unpublished)

McGarvey, Pat, Stewart, Katherine, Butler, Rory, Purcell, Chris, Macfadyen, Craig, Fivey, Steve and Currie, John (2011) Pencaitland - Southern Tennant Folk Union. [Audio]

Malcolm, Calum (2006) Messiah (Dublin version 1742). [Audio]

Malcolm, Calum (2006) High. [Audio]

Malcolm, Calum (2005) Mozart Wind Concertos. [Audio]

Malcolm, Calum (2003) Britten - Les Illuminations. [Audio]

P

Poulopoulos, Panagiotis and Durkin, Rachael (2016) ‘A very mistaken identification’: The ‘Sultana’ or ‘Cither viol’ and its links to the Bowed Psaltery, Viola d’Amore and Guittar. Early Music, 44 (1). ISSN 0306-1078 (In Press)

Pape, Gerard and Ferguson, Paul (2007) Machenbach IV. [Performance]

R

Rodger, J and Davismoon, Stephen (2006) Patricia's Songs. [Performance] (Unpublished)

S

Stanley, Jane (2011) Pentimenti for Two Pianos. [Performance]

Soto-Morettini, Donna (2006) Popular Singing: a practical guide to Pop, Rock, Blues, Jazz, Country and Gospel. A & C Black, London. ISBN 978-0713672664

Soto-Morettini, Donna (2004) The Clowns of God – Jerry Springer the Opera. Contemprary Theatre Review, 14 (1). pp. 75-87. ISSN 1048-6801

Soto-Morettini, Donna (1996) Slipping Into something comfortable: Identity and popular culture. Lipa Press. ISBN 978-0952816201

T

Tsiros, Augoustinos, LePlâtre, Grégory and Smyth, Michael (2012) Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes. In: 9th Sound and Music Computing Conference, 11-14th July 2012, Aalborg University, Copenhagen.

U

Ubik, Sven, Allochio, Claudio, Ferguson, Paul, Smith, Emma and Urban, Ondrej (2015) eMusic Open Call Deliverable OCI-DS3.2 Final Report. Project Report. GEANT.

W

Wilkinson, Ewan, Brechin, Sandy and Currie, John (2005) It Never Snows. [Audio]

Z

Zammit, Veronique (2008) Towards a notion of cultural soundscape as an informant to original music composition - with particular reference to that of the Maltese Islands. PhD thesis, Napier University.

This list was generated on Sun Sep 25 22:42:57 2016 UTC.

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