INSPIRING FUTURES

Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 98.

A

Atton, Chris (2014) What can we learn from ‘unpopular’ music and its audiences? In: Studying Music: An International Conference in Honour of Simon Frith, 10-12 April 2014, University of Edinburgh. (Unpublished)

Atton, Chris (2014) Curating popular music: authority and history, aesthetics and technology. Popular Music, 33 (3). pp. 413-427. ISSN 0261-1430

Atton, Chris (2013) Cultures of Listening: The popular aesthetics of 'difficult music'. In: Languages and Literature Seminar Series, 2 October 2013, University of Strathclyde. (Unpublished)

Atton, Chris (2012) Listening to 'difficult albums': specialist music fans and the popular avant-garde. Popular Music, 31 (3). pp. 347-361. ISSN 0261-1430

Atton, Chris (2011) Big noise, little worlds: genre and the cultural politics of territory in the live experience of “extreme” music. In: The business of live music, 31 March - 2 April 2011, University of Edinburgh. (Unpublished)

Atton, Chris (2011) Fan discourse and the construction of noise music as a genre. Journal of Popular Music Studies, 23 (3). pp. 324-342. ISSN 15242226

Artt, Sarah (2011) The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. In: Sonic Futures: soundscapes and the languages of screen media, 23 - 26 June 2011 , King's College London/Birkbeck. (Unpublished)

Atton, Chris, McCleery, Alistair, Mabweazara, Hayes and Ward, Simon (2008) Creative Futures: Building the Creative Economy through Universities. Project Report. Million+, London.

Ashton, Nicholas (2007) Robert Crawford: works for piano. [Performance]

Ashton, Nicholas (2007) John White’s Sonata no 108 “Reminiscenza di tempi di tango”. (1983). [Performance]

Atton, Chris (2003) A bit of the crust: mostly improvised… mostly composed…. The Sound Projector (11). pp. 38-39.

Atton, Chris (2002) Review of "Progressive Rock Reconsidered". Popular Music, 21 (3). pp. 386-388. ISSN 0261-1430

Ashton, Nicholas, Beeston, Michael, Burrin, Phillip and Mutter, C (2002) Chamber music performances with the Edinburgh Quartet. [Performance]

Ashton, Nicholas (2002) Chaconne: in memoriam Colin O'Riordan. [Performance]

Atton, Chris (2002) What’s left of the new left. The Sound Projector (10). pp. 120-121.

Atton, Chris (1999) Herein(g) the Sonic Arts Union: an anthology of transformations. The Sound Projector (6). pp. 28-30.

Atton, Chris (1988) Some answers to some questions about improvised music. Improvisor (8). pp. 32-40.

Atton, Chris (1988) Improvised music: some answers to some questions. Contact: a journal of contemporary music (33). pp. 13-17. ISSN 0308 5066

B

Brøvig-Hanssen, Ragnhild and Harkins, Paul (2012) Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups. Popular Music, 31 (01). pp. 87-104. ISSN 0261-1430

Burton, Katrina (2009) 951912. [Composition]

Burton, Katrina (2008) ’74 Front Street’. [Composition]

Burton, Katrina (2008) NY10128. [Composition]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) Frontiers and Bridges. [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2007) Embracing the unknown. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) The cold dancer. [Audio]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2006) Sohal’s String Quartet No.2. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip, Mutter, C and Dempster, Kenneth (2006) Clarinet and String Quartet. [Performance]

Burton, Katrina (2006) Moon Palace I. [Composition]

Burton, Katrina (2006) “Floating sculptures”. [Composition]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Five senses. [Performance]

Burton, Katrina (2005) As Time Passes. [Composition] (Unpublished)

Burton, Katrina (2005) Moon Palace II. [Composition] (Unpublished)

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Hans Gal – the complete string quartets. [Audio]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2005) McEwan’s Fantasy Quintet. [Performance]

Burton, Katrina (2004) The Chrysler Cycle. [Composition]

Burton, Katrina (2003) doing what has to be done. [Composition]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2003) Perseverance. [Performance]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Stanzeleit, S (2003) Kenneth Leighton: Piano Quintet, Piano Trio, Piano Quartet. [Audio]

Burton, Katrina (2003) the eyes are filled with images. [Composition]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Stanzeleit, S (2002) Kenneth Leighton, Quartets 1 & 2, Seven Variations for String Quartet op. 43. [Audio]

Burrin, Phillip, Bailey, Mark, Beaston, M and Stanzeleit, S (2001) Scottish string quartets. [Audio]

D

Duncan, David Thomas (2008) Variations for Two Pianos by David Thomas Duncan. [Performance] (Unpublished)

Davismoon, Stephen (2006) Towards the water’s edge. [Composition]

Davismoon, Stephen and Rodger, J (2006) Love Eurydice. [Composition]

Davidson, Lindsay (2006) Towards a fusion of western classical/contemporary and traditional Scots bagpipe composition techniques: "Manntaireachd". PhD thesis, Edinburgh Napier University.

Davismoon, Stephen (2005) ‘...a common treasury ... fragmented’. [Composition]

Dempster, Kenneth (2005) Six feet of blood. [Performance]

Dempster, Kenneth (2005) Six feet of blood. [Composition]

Dempster, Kenneth (2005) The Cold Dancer. [Composition]

Dempster, Kenneth (2004) Peer Gynt. [Composition]

Davismoon, Stephen (2004) The transmutation of the ‘old’ with the ‘new’ in the modernist vision of Edgard Varèse. Contemporary Music Review, 23 (1). pp. 45-58. ISSN 0749-4467

Dempster, Kenneth (2002) Seven fans for Alma Mahler. [Composition]

E

Eccles, John (2012) Poetry and symmetry as organizing forces in music. MPhil thesis, Edinburgh Napier University.

F

Fitch, Lois (2005) Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough. In: Fourth Biennial International Conference on Twentieth Century Music, 25-28 August 2005, University of Sussex.

Ferguson, Paul and Hook, Dave (2005) In Perpetuity. [Composition]

Ferguson, Paul (2004) Bartok & Kodaly. (Linn Records CKD 234). [Performance]

Ferguson, Paul (2002) Castle: By Fire and Sword. [Audio]

G

Gibb, Marjory Patricia (2008) An appreciation of Telemann's recorder music in relation to the development of modern techniques in this genre ans the inclusion of programmatic and new-Baroque elements. MPhil thesis, Edinburgh Napier University.

Guerney, Tristan, Langridge, P, Owen-Norris, D and Layfield, M (2007) Songs from the pleasure garden. [Audio]

H

Hails, John and Hopkins, Gerard Manley (2014) Pied Beauty. [Composition] (Unpublished)

Harris, Michael (2012) Organ Recital Mainzer Dom. [Performance]

Hails, John (2012) EMG. [Composition]

Harkins, Paul (2012) Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings. Popular Music and Society, 35 (5). pp. 629-649. ISSN 0300-7766

Harkins, Paul (2012) La transmission perdue et retrouvée. (Transmission lost and found). Réseaux, 172 (2). p. 92.

Harris, Michael (2011) The Organ Music of William Wolstenholme. [Audio]

Hails, John (2011) DUO1. [Composition]

Harris, Michael (2010) Hail, gladdening light: Anthems from St Giles'. [Audio]

Harkins, Paul (2010) Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate, pp. 177-194. ISBN 978-1-4094-0340-1

Hails, John (2008) BE GOOD. [Composition]

Hails, John (2008) EMG 2008. [Performance] (Unpublished)

Harris, Michael (2008) Great European Organs No 75. [Audio]

Harkins, Paul (2007) Todd Edwards & the microsample: speed & spirituality in UK Garage. In: Oslo, Norway, 18th - 20th October 2007, University of oslo.

Harris, Michael (2006) Concert 1 August 2006 – Rassa. [Performance]

Harris, Michael (2005) Organ Concert 23 September 2005. [Performance]

Harris, Michael (2004) An Edinburgh celebration. [Audio]

Hails, John (2003) De contemplationis digitis. [Composition]

Hails, John (2003) Lovesongs. [Composition]

Hails, John (2002) Cantus 1. [Composition]

Harris, Michael (2002) The organ at St Giles. [Audio]

Hails, John (2001) Der Heimat zu. [Composition]

L

LePlâtre, Grégory and Brewster, Stephen A (1999) Perspectives on the design of musical auditory interfaces. International Journal of Computing Anticipatory Systems, 4. pp. 227-239. ISSN 1373-5411

M

Medbøe, Haftor and Dias, Jose (2014) Improvisation in the digital age: New narratives in jazz promotion and dissemination. First Monday, 19 (10). pp. 1-26.

Medbøe, Haftor (2014) Dictated dichotomies: Locating Scandinavian jazz. In: Rhythm Changes 2014 - Jazz Beyond Borders, 4 - 7 September 2014, Amsterdam NL. (Unpublished)

Medbøe, Haftor (2014) Jazz Scenes and Networks in Europe: Repackaging Independent Jazz – New Strategies for Emerging Markets. In: KISMIF conference: Underground music scenes and DIY cultures, 8 - 11 July 2014, Porto PT. (Unpublished)

Medbøe, Haftor (2014) Popular music provision at Edinburgh Napier University: observations and points of enquiry. In: Popular Music Pedagogy, 24 January, 2014, University of Edinburgh. (Unpublished)

Medbøe, Haftor (2013) The promoter as cultural conduit: between jazz and a hard place. In: Jazz Talks: 1st university of Aveiro jazz conference, 8 - 9 November 2013, Aveiro PT. (Unpublished)

Medbøe, Haftor (2013) Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration. PhD thesis, Edinburgh Napier University.

Medbøe, Haftor (2013) Groovin’ High and Low: exploring the jazz vernacular. In: Rhythm Changes 2013, 11 - 14 April 2013, Salford UK. (Unpublished)

Medbøe, Haftor (2012) Nordic Tone: Redrawing borders of culture and boundaries of style. In: International Musicological Society, 1 - 7 July 2012, Rome, Italy. (Unpublished)

Medbøe, Haftor (2011) Cultural identity and creative autonomy in Nordic jazz. In: Rhythm Changes: Jazz and National Identities conference 2011, 1-4 September 2011, Amsterdam NL. (Unpublished)

Malcolm, Calum (2006) Messiah (Dublin version 1742). [Audio]

Malcolm, Calum (2006) High. [Audio]

Malcolm, Calum (2005) Mozart Wind Concertos. [Audio]

Malcolm, Calum (2003) Britten - Les Illuminations. [Audio]

P

Pape, Gerard and Ferguson, Paul (2007) Machenbach IV. [Performance]

S

Stanley, Jane (2011) Pentimenti for Two Pianos. [Performance]

T

Tsiros, Augoustinos, LePlâtre, Grégory and Smyth, Michael (2012) Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes. In: 9th Sound and Music Computing Conference, 11-14th July 2012, Aalborg University, Copenhagen.

Z

Zammit, Veronique (2008) Towards a notion of cultural soundscape as an informant to original music composition - with particular reference to that of the Maltese Islands. PhD thesis, Napier University.

This list was generated on Tue Oct 21 06:25:40 2014 IST.

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