INSPIRING FUTURES

Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 88.

Hails, John and Hopkins, Gerard Manley (2014) Pied Beauty. [Composition] (Unpublished)

Atton, Chris (2014) What can we learn from ‘unpopular’ music and its audiences? In: Studying Music: An International Conference in Honour of Simon Frith, 10-12 April 2014, University of Edinburgh. (Unpublished)

Atton, Chris (2013) Cultures of Listening: The popular aesthetics of 'difficult music'. In: Languages and Literature Seminar Series, 2 October 2013, University of Strathclyde. (Unpublished)

Medbøe, Haftor (2013) Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration. PhD thesis, Edinburgh Napier University.

Atton, Chris (2012) Listening to 'difficult albums': specialist music fans and the popular avant-garde. Popular Music, 31 (3). pp. 347-361. ISSN 0261-1430

Harris, Michael (2012) Organ Recital Mainzer Dom. [Performance]

Hails, John (2012) EMG. [Composition]

Eccles, John (2012) Poetry and symmetry as organizing forces in music. MPhil thesis, Edinburgh Napier University.

Brøvig-Hanssen, Ragnhild and Harkins, Paul (2012) Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups. Popular Music, 31 (01). pp. 87-104. ISSN 0261-1430

Harkins, Paul (2012) Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings. Popular Music and Society, 35 (5). pp. 629-649. ISSN 0300-7766

Harkins, Paul (2012) La transmission perdue et retrouvée. (Transmission lost and found). Réseaux, 172 (2). p. 92.

Tsiros, Augoustinos, LePlâtre, Grégory and Smyth, Michael (2012) Sketching concatenative synthesis: audiovisual Isomorphism in reduced modes. In: 9th Sound and Music Computing Conference, 11-14th July 2012, Aalborg University, Copenhagen.

Harris, Michael (2011) The Organ Music of William Wolstenholme. [Audio]

Hails, John (2011) DUO1. [Composition]

Atton, Chris (2011) Big noise, little worlds: genre and the cultural politics of territory in the live experience of “extreme” music. In: The business of live music, 31 March - 2 April 2011, University of Edinburgh. (Unpublished)

Atton, Chris (2011) Fan discourse and the construction of noise music as a genre. Journal of Popular Music Studies, 23 (3). pp. 324-342. ISSN 15242226

Stanley, Jane (2011) Pentimenti for Two Pianos. [Performance]

Artt, Sarah (2011) The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. In: Sonic Futures: soundscapes and the languages of screen media, 23 - 26 June 2011 , King's College London/Birkbeck. (Unpublished)

Harris, Michael (2010) Hail, gladdening light: Anthems from St Giles'. [Audio]

Harkins, Paul (2010) Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage. In: Musical Rhythm in the Age of Digital Reproduction. Ashgate, pp. 177-194. ISBN 978-1-4094-0340-1

Burton, Katrina (2009) 951912. [Composition]

Burton, Katrina (2008) ’74 Front Street’. [Composition]

Burton, Katrina (2008) NY10128. [Composition]

Zammit, Veronique (2008) Towards a notion of cultural soundscape as an informant to original music composition - with particular reference to that of the Maltese Islands. PhD thesis, Napier University.

Gibb, Marjory Patricia (2008) An appreciation of Telemann's recorder music in relation to the development of modern techniques in this genre ans the inclusion of programmatic and new-Baroque elements. MPhil thesis, Edinburgh Napier University.

Atton, Chris, McCleery, Alistair, Mabweazara, Hayes and Ward, Simon (2008) Creative Futures: Building the Creative Economy through Universities. Project Report. Million+, London.

Hails, John (2008) EMG 2008. [Performance] (Unpublished)

Harris, Michael (2008) Great European Organs No 75. [Audio]

Duncan, David Thomas (2008) Variations for Two Pianos by David Thomas Duncan. [Performance] (Unpublished)

Ashton, Nicholas (2007) Robert Crawford: works for piano. [Performance]

Harkins, Paul (2007) Todd Edwards & the microsample: speed & spirituality in UK Garage. In: Oslo, Norway, 18th - 20th October 2007, University of oslo.

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) Frontiers and Bridges. [Audio]

Guerney, Tristan, Langridge, P, Owen-Norris, D and Layfield, M (2007) Songs from the pleasure garden. [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2007) Embracing the unknown. [Performance]

Pape, Gerard and Ferguson, Paul (2007) Machenbach IV. [Performance]

Ashton, Nicholas (2007) John White’s Sonata no 108 “Reminiscenza di tempi di tango”. (1983). [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) The cold dancer. [Audio]

Harris, Michael (2006) Concert 1 August 2006 – Rassa. [Performance]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2006) Sohal’s String Quartet No.2. [Performance]

Davismoon, Stephen (2006) Towards the water’s edge. [Composition]

Beeston, Michael, Bailey, Mark, Burrin, Phillip, Mutter, C and Dempster, Kenneth (2006) Clarinet and String Quartet. [Performance]

Davismoon, Stephen and Rodger, J (2006) Love Eurydice. [Composition]

Davidson, Lindsay (2006) Towards a fusion of western classical/contemporary and traditional Scots bagpipe composition techniques: "Manntaireachd". PhD thesis, Edinburgh Napier University.

Malcolm, Calum (2006) Messiah (Dublin version 1742). [Audio]

Burton, Katrina (2006) Moon Palace I. [Composition]

Burton, Katrina (2006) “Floating sculptures”. [Composition]

Malcolm, Calum (2006) High. [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Five senses. [Performance]

Harris, Michael (2005) Organ Concert 23 September 2005. [Performance]

Burton, Katrina (2005) As Time Passes. [Composition] (Unpublished)

Burton, Katrina (2005) Moon Palace II. [Composition] (Unpublished)

Fitch, Lois (2005) Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough. In: Fourth Biennial International Conference on Twentieth Century Music, 25-28 August 2005, University of Sussex.

Malcolm, Calum (2005) Mozart Wind Concertos. [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Hans Gal – the complete string quartets. [Audio]

Davismoon, Stephen (2005) ‘...a common treasury ... fragmented’. [Composition]

Dempster, Kenneth (2005) Six feet of blood. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2005) McEwan’s Fantasy Quintet. [Performance]

Ferguson, Paul and Hook, Dave (2005) In Perpetuity. [Composition]

Dempster, Kenneth (2005) Six feet of blood. [Composition]

Dempster, Kenneth (2005) The Cold Dancer. [Composition]

Burton, Katrina (2004) The Chrysler Cycle. [Composition]

Dempster, Kenneth (2004) Peer Gynt. [Composition]

Harris, Michael (2004) An Edinburgh celebration. [Audio]

Davismoon, Stephen (2004) The transmutation of the ‘old’ with the ‘new’ in the modernist vision of Edgard Varèse. Contemporary Music Review, 23 (1). pp. 45-58. ISSN 0749-4467

Ferguson, Paul (2004) Bartok & Kodaly. (Linn Records CKD 234). [Performance]

Burton, Katrina (2003) doing what has to be done. [Composition]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2003) Perseverance. [Performance]

Hails, John (2003) De contemplationis digitis. [Composition]

Malcolm, Calum (2003) Britten - Les Illuminations. [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Stanzeleit, S (2003) Kenneth Leighton: Piano Quintet, Piano Trio, Piano Quartet. [Audio]

Burton, Katrina (2003) the eyes are filled with images. [Composition]

Hails, John (2003) Lovesongs. [Composition]

Atton, Chris (2003) A bit of the crust: mostly improvised… mostly composed…. The Sound Projector (11). pp. 38-39.

Hails, John (2002) Cantus 1. [Composition]

Dempster, Kenneth (2002) Seven fans for Alma Mahler. [Composition]

Atton, Chris (2002) Review of "Progressive Rock Reconsidered". Popular Music, 21 (3). pp. 386-388. ISSN 0261-1430

Ashton, Nicholas, Beeston, Michael, Burrin, Phillip and Mutter, C (2002) Chamber music performances with the Edinburgh Quartet. [Performance]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Stanzeleit, S (2002) Kenneth Leighton, Quartets 1 & 2, Seven Variations for String Quartet op. 43. [Audio]

Ferguson, Paul (2002) Castle: By Fire and Sword. [Audio]

Harris, Michael (2002) The organ at St Giles. [Audio]

Ashton, Nicholas (2002) Chaconne: in memoriam Colin O'Riordan. [Performance]

Atton, Chris (2002) What’s left of the new left. The Sound Projector (10). pp. 120-121.

Hails, John (2001) Der Heimat zu. [Composition]

Burrin, Phillip, Bailey, Mark, Beaston, M and Stanzeleit, S (2001) Scottish string quartets. [Audio]

Atton, Chris (1999) Herein(g) the Sonic Arts Union: an anthology of transformations. The Sound Projector (6). pp. 28-30.

LePlâtre, Grégory and Brewster, Stephen A (1999) Perspectives on the design of musical auditory interfaces. International Journal of Computing Anticipatory Systems, 4. pp. 227-239. ISSN 1373-5411

Atton, Chris (1988) Some answers to some questions about improvised music. Improvisor (8). pp. 32-40.

Atton, Chris (1988) Improvised music: some answers to some questions. Contact: a journal of contemporary music (33). pp. 13-17. ISSN 0308 5066

This list was generated on Fri Jul 25 12:24:22 2014 IST.

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