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Number of items: 22.

Artt, Sarah and Wasson, Sara-Patricia (2013) The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. In: Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present. Manchester University Press. ISBN 978-0719089411 (In Press)

Artt, Sarah, Longden, Kenneth, McCabe, Janet, Formica, Serena, Tucker, Paul and Wyver, John (2013) Review of 'The Many Lovers of Miss Jane Austen':. In: Global Jane Austen; Pleasure, Passion, and Possessiveness in the Jane Austen Community. Palgrave Macmillan, New York. ISBN 9781137034434

Artt, Sarah (2013) Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope: an online journal of film and television studies (25). ISSN 1465-9166

Artt, Sarah (2013) Entries on 'Lord Ruthven', 'The Vampire Lestat' and 'Dark Shadows'. In: The Ashgate Encyclopaedia of Literary and Cinematic Monsters. Ashgate. ISBN 978-1-4094-2562-5

Artt, Sarah (2012) Ambulant Fetish: the exotic woman in "Black Venus" and "Master". In: Angela Carter: New Critical Readings. Continuum, London, UK, pp. 176-186. ISBN 978-1441169280

Artt, Sarah (2012) The Steampunk Detective: Sherlock Holmes and Sherlock. In: Neo-Victorian Networks: Epistemologies, Aesthetics and Ethics, June 2012 , University of Amsterdam. (Unpublished)

Artt, Sarah (2012) Les liaisons dangeureuses a l'anglais: examining traces of 'European-ness' in Valmont, Dangerous Liaisons and Cruel Intentions. In: Translation, Adaptation and Transformation. Continuum Advances in Translation . Continuum, pp. 162-170. ISBN 9781441108562

Artt, Sarah (2011) ‘Ambulant Fetish’: the exotic woman in Black Venus and Master. Critical Engagements: a journal of criticsm and theory. ISSN 1754-0984

Artt, Sarah (2011) The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. In: Sonic Futures: soundscapes and the languages of screen media, 23 - 26 June 2011 , King's College London/Birkbeck. (Unpublished)

Artt, Sarah (2010) Silence and performance: appreciating Lynne Ramsay's "Morven Callar". In: 20th International Screen Studies Conference, 2nd-4th July 2010, University of Glasgow. (Unpublished)

Artt, Sarah (2010) Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. In: Symposium on melodrama in contemporary film and television, 29 October 2010, Queen Margaret University. (Unpublished)

Artt, Sarah (2010) Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. In: 5th annual Association of adaptation Studies Conference, 30th Spetember- 1st October 2010, Centre for British Studies, Berlin. (Unpublished)

Wasson, Sara-Patricia and Artt, Sarah (2010) The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. In: Open Graves, Open Minds: Vampires and the Undead in Modern Culture. , 16-17 April 2010 , University of Hertfordshire. . (Unpublished)

Artt, Sarah (2009) Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope: the online journal of film studies (13).

Artt, Sarah (2009) Ambulant fetish: the exotic woman in Black Venus and Master. In: Angela Carter: a critical exploration, 6-8 June 2009, University of Northampton & the Network for Modern Fiction Studies. (Unpublished)

Artt, Sarah (2009) Irony: adapting Jane Austen's Northaner Abbey. In: 4th Annual Association of Adaptation Studies Conference, 24-25 September 2009, BFI, Southbank. (Unpublished)

Artt, Sarah (2008) Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. In: 21st Century Teenager: medai representation, theory and policy, 10 -12 July 2008, Trinity & All Saints College, Leeds. (Unpublished)

Artt, Sarah (2008) The Rocky Horror Picture Show as self-Reflexive Musical. In: Reading Rocky Horror. Palgrave Macmillan. ISBN 9780230612327

Artt, Sarah (2007) Art of the past: adapting Henry James's The Golden Bowl. Journal of Adaptation in Film and Performance, 1 (1). pp. 5-16. ISSN 1753-6421

Artt, Sarah (2007) The woman behind the screen: adapting Edith Wharton's The House of Mirth. In: Women's History Scotland Annual Conference, 13th October 2007, Smith Art Gallery, Stirling. (Unpublished)

Artt, Sarah (2006) Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". In: Migrant and Diasporic Cinema in Contemporary Europe, 6-8 July 2006, Oxford Brookes University. (Unpublished)

Artt, Sarah (2003) The age of sex: the narrative function of accessories in Edith Wharton's The Age of Innocence and the television series Sex and the City. Flash Magazine.

This list was generated on Wed Aug 20 02:34:41 2014 IST.

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