Artt, Sarah (2013) Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope: an online journal of film and television studies (25). ISSN 1465-9166

Artt, Sarah (2012) Les liaisons dangeureuses a l'anglais: examining traces of 'European-ness' in Valmont, Dangerous Liaisons and Cruel Intentions. In: Translation, Adaptation and Transformation. Continuum Advances in Translation . Continuum, pp. 162-170. ISBN 9781441108562

Artt, Sarah and Wasson, Sara-Patricia (2012) The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. In: Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present. Manchester University Press. (In Press)

Artt, Sarah (2011) ‘Ambulant Fetish’: the exotic woman in Black Venus and Master. Critical Engagements: a journal of criticsm and theory. ISSN 1754-0984

Artt, Sarah (2011) The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. In: Sonic Futures: soundscapes and the languages of screen media, 23 - 26 June 2011 , King's College London/Birkbeck. (Unpublished)

Artt, Sarah (2010) Silence and performance: appreciating Lynne Ramsay's "Morven Callar". In: 20th International Screen Studies Conference, 2nd-4th July 2010, University of Glasgow. (Unpublished)

Artt, Sarah (2010) Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. In: Symposium on melodrama in contemporary film and television, 29 October 2010, Queen Margaret University. (Unpublished)

Artt, Sarah (2010) Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. In: 5th annual Association of adaptation Studies Conference, 30th Spetember- 1st October 2010, Centre for British Studies, Berlin. (Unpublished)

Wasson, Sara-Patricia and Artt, Sarah (2010) The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. In: Open Graves, Open Minds: Vampires and the Undead in Modern Culture. , 16-17 April 2010 , University of Hertfordshire. . (Unpublished)

Artt, Sarah (2009) Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope: the online journal of film studies (13).

Artt, Sarah (2009) Ambulant fetish: the exotic woman in Black Venus and Master. In: Angela Carter: a critical exploration, 6-8 June 2009, University of Northampton & the Network for Modern Fiction Studies. (Unpublished)

Artt, Sarah (2009) Irony: adapting Jane Austen's Northaner Abbey. In: 4th Annual Association of Adaptation Studies Conference, 24-25 September 2009, BFI, Southbank. (Unpublished)

Artt, Sarah (2008) Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. In: 21st Century Teenager: medai representation, theory and policy, 10 -12 July 2008, Trinity & All Saints College, Leeds. (Unpublished)

Artt, Sarah (2008) The Rocky Horror Picture Show as self-Reflexive Musical. In: Reading Rocky Horror. Palgrave Macmillan. ISBN 9780230612327

Artt, Sarah (2007) Art of the past: adapting Henry James's The Golden Bowl. Journal of Adaptation in Film and Performance, 1 (1). pp. 5-16. ISSN 1753-6421

Artt, Sarah (2007) The woman behind the screen: adapting Edith Wharton's The House of Mirth. In: Women's History Scotland Annual Conference, 13th October 2007, Smith Art Gallery, Stirling. (Unpublished)

Artt, Sarah (2006) Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". In: Migrant and Diasporic Cinema in Contemporary Europe, 6-8 July 2006, Oxford Brookes University. (Unpublished)

Artt, Sarah (2003) The age of sex: the narrative function of accessories in Edith Wharton's The Age of Innocence and the television series Sex and the City. Flash Magazine.

Artt, Sarah Ambulant Fetish: the Exotic Woman in Black Venus and Master. In: Unknown. Continuum. (In Press)