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Number of items at this level: 42.


Artt, Sarah (2015) 'Not Enough of Him' Technology and Melancholia in 'Be Right Back'. In media res: a media commons project.

Artt, Sarah (2014) Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. In: Becoming Scotland, 28-29 August 2014, Queen Margaret University. (Unpublished)

Artt, Sarah (2014) Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In: Melodrama in Contemporary Film and Television (July 2014). Palgrave. ISBN 9781137319845

Artt, Sarah (2013) Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope: an online journal of film and television studies (25). ISSN 1465-9166

Artt, Sarah (2010) Silence and performance: appreciating Lynne Ramsay's "Morven Callar". In: 20th International Screen Studies Conference, 2nd-4th July 2010, University of Glasgow. (Unpublished)

Artt, Sarah (2010) Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. In: Symposium on melodrama in contemporary film and television, 29 October 2010, Queen Margaret University. (Unpublished)

Artt, Sarah (2010) Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. In: 5th annual Association of adaptation Studies Conference, 30th Spetember- 1st October 2010, Centre for British Studies, Berlin. (Unpublished)

Artt, Sarah (2009) Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope: the online journal of film studies (13).

Artt, Sarah (2009) Irony: adapting Jane Austen's Northaner Abbey. In: 4th Annual Association of Adaptation Studies Conference, 24-25 September 2009, BFI, Southbank. (Unpublished)

Artt, Sarah (2008) Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. In: 21st Century Teenager: medai representation, theory and policy, 10 -12 July 2008, Trinity & All Saints College, Leeds. (Unpublished)

Artt, Sarah (2008) The Rocky Horror Picture Show as self-Reflexive Musical. In: Reading Rocky Horror. Palgrave Macmillan. ISBN 9780230612327

Artt, Sarah (2007) The woman behind the screen: adapting Edith Wharton's The House of Mirth. In: Women's History Scotland Annual Conference, 13th October 2007, Smith Art Gallery, Stirling. (Unpublished)

Artt, Sarah (2006) Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". In: Migrant and Diasporic Cinema in Contemporary Europe, 6-8 July 2006, Oxford Brookes University. (Unpublished)


Boateng, Kofi (2013) Anglophone Sub-Sahara Africa video industry : a new paradigmatic practice of moviemaking. PhD thesis, Edinburgh Napier University.

Bilgrami, Sana (2011) Fragments of a love story. Room Nineteen.


Gibson, Lyn (2011) Test document - Investigation into the supply and demand of breakfast muffins in Paris hotels. [Dataset]

Grant, Cary (2010) TEST Document - Two muffins or one: cost-savings in the Paris hotels. Test - Journal of spurious films.

Gray, Gordon T (2002) Malaysian cinema and negotiations with modernity: film and anthropology. PhD thesis, Edinburgh Napier University.


Karagiannakis, Georgios (2011) Oral histories, hidden identities, silent waters: an audiovisual journey to the Greek side of the Prespa lakes. PhD thesis, Edinburgh Napier University.


MacPherson, Robin (2012) Scottish cinema – myth and reality from Hollywood to Holyrood. In: Directory of World Cinema: Britain. Directory of World Cinema Series . Intellect ltd., Bristol. ISBN 978-1841505572

MacPherson, Robin (2011) Film success in small countries – from Scotland to Singapore. Culture360.

Milne, Louise (2011) The Druids, Travels in deep England. Lanterna Magicka.

MacPherson, Robin (2009) Shape-Shifters: independent producers in Scotland and the journey from cultural entrepreneur to entrepreneurial culture. In: Scottish Cinema Now. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 222-239. ISBN 978-1-4438-0331-1

MacPherson, Robin (2003) The creative producer – the business of art or the art of business? In: CILECT (Centre International de Liaison des Ecoles de Cinéma et de Télévision) Kalos K’agathos - Theory for Practice 3, ‘BEYOND the Theory of Practice’, Cardiff, Cardiff, Wales.


Neill, Calum (2010) One amongst many: the ethical significance of Antigone and the films of Lars von Trier. In: Interrogating Antigone in postmodern philosophy and criticism. Oxford University Press, pp. 135-146. ISBN 9780199559213


Ramirez, Gracia (2013) “In the best interests of the country”: the American film institute and philanthropic support for American experimental and independent cinema in the 1960s. PhD thesis, Edinburgh Napier University.

Ridley-Ellis, Daniel (2012) MacAulay and Co. [Audio]

Ridley-Ellis, Daniel (2012) Hot ticket - Bright Club, Edinburgh. New Statesman. p. 40.

Ridley-Ellis, Daniel (2011) BBC Radio Scotland Comedy Café. [Audio]


Sellors, C. Paul (2014) What in the World Distinguishes Fiction from Nonfiction Film? Film and Philosophy, 18. pp. 105-123. ISSN 1073-0427

Scott, Alistair James (2013) Raploch Stories: continuity and innovation for television documentary production. PhD thesis, Edinburgh Napier University.

Sellors, C. Paul (2011) “A Business Pure and Simple:” Film, Copyright, and Problems for Defining Authorship. In: Of Authorship and Originality, 28 June 2011, Bergen, Norway. (Unpublished)

Sellors, C. Paul (2011) Drawing a Clear Line between Fact and Fiction in the Animated Documentary. In: Animated Realities Conference, 23-24 June 2011, Edinburgh College of Art, Edinburgh, Scotland. (Unpublished)

Sellors, C. Paul (2010) Film Authorship: Auteurs and Other Myths. Short Cuts . Wallflower Press, London. ISBN 9781906660246

Sellors, C. Paul (2009) Review of Kathryn H. Fuller-Seeley (ed.) Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing and Paul S. Moore Now Playing: Early Moviegoing and the Regulation of Fun. Screen, 50 (2). pp. 266-270. ISSN 0036-9543

Scott, Alistair James (2009) What's the Point of Film School, or, What did Beaconsfield Film Studios ever do for the Scottish film industry? In: Scottish Cinema Now. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 206-221. ISBN 978-1-4438-0331-1

Sellors, C. Paul (2007) Collective Authorship in Film. Journal of Aesthetics and Art Criticism, 65 (3). pp. 263-271. ISSN 0021-8529

Sellors, C. Paul (2006) A Realist Account of Fiction. Film and Philosophy, 10. pp. 51-66. ISSN 1073-0427

Sellors, C. Paul (2004) Senso. In: The Cinema of Italy. Wallflower Press, pp. 63-71. ISBN 1-903364-98-1

Schwan, Anne (2004) When feminism collides with the politics of difference: the pitfalls of progressive filmmaking. In: CorpoRealities: In(ter)ventions in an Omnipresent Subject. Koenigstein/Taunus: Helmer, pp. 275-289. ISBN 3-89741-123-7

Sellors, C. Paul (2001) Grafting Union Square onto the Old Rialto: Film-Going within Industrial Society. Living Pictures: The Journal of the Popular and Projected Image before 1914., 1 (1). pp. 38-57. ISSN 1467-0577


Turner, Phil, Turner, Susan and Tully, Gabriela (2008) The unfamiliar experience of an interactive movie. Behaviour and Information Technology. ISSN 0144-929X

This list was generated on Fri Nov 27 08:14:08 2015 UTC.

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