INSPIRING FUTURES

Browse by Dewey Subject

Up a level
Export as [feed] RSS
Group by: Creators | Item Type | No Grouping
Number of items at this level: 30.

Artt, Sarah (2014) Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. In: Becoming Scotland, 28-29 August 2014, Queen Margaret University. (Unpublished)

Artt, Sarah (2014) Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In: Melodrama in Contemporary Film and Television (July 2014). Palgrave. ISBN 9781137319845

Scott, Alistair James (2013) Raploch Stories: continuity and innovation for television documentary production. PhD thesis, Edinburgh Napier University.

Boateng, Kofi (2013) Anglophone Sub-Sahara Africa video industry : a new paradigmatic practice of moviemaking. PhD thesis, Edinburgh Napier University.

Ramirez, Gracia (2013) “In the best interests of the country”: the American film institute and philanthropic support for American experimental and independent cinema in the 1960s. PhD thesis, Edinburgh Napier University.

Artt, Sarah (2013) Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope: an online journal of film and television studies (25). ISSN 1465-9166

MacPherson, Robin (2012) Scottish cinema – myth and reality from Hollywood to Holyrood. In: Directory of World Cinema: Britain. Directory of World Cinema Series . Intellect ltd., Bristol. ISBN 978-1841505572

MacPherson, Robin (2011) Film success in small countries – from Scotland to Singapore. Culture360.

Karagiannakis, Georgios (2011) Oral histories, hidden identities, silent waters: an audiovisual journey to the Greek side of the Prespa lakes. PhD thesis, Edinburgh Napier University.

Milne, Louise (2011) The Druids, Travels in deep England. Lanterna Magicka.

Bilgrami, Sana (2011) Fragments of a love story. Room Nineteen.

Artt, Sarah (2010) Silence and performance: appreciating Lynne Ramsay's "Morven Callar". In: 20th International Screen Studies Conference, 2nd-4th July 2010, University of Glasgow. (Unpublished)

Artt, Sarah (2010) Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. In: Symposium on melodrama in contemporary film and television, 29 October 2010, Queen Margaret University. (Unpublished)

Artt, Sarah (2010) Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. In: 5th annual Association of adaptation Studies Conference, 30th Spetember- 1st October 2010, Centre for British Studies, Berlin. (Unpublished)

Neill, Calum (2010) One amongst many: the ethical significance of Antigone and the films of Lars von Trier. In: Interrogating Antigone in postmodern philosophy and criticism. Oxford University Press, pp. 135-146. ISBN 9780199559213

Artt, Sarah (2009) Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope: the online journal of film studies (13).

Artt, Sarah (2009) Irony: adapting Jane Austen's Northaner Abbey. In: 4th Annual Association of Adaptation Studies Conference, 24-25 September 2009, BFI, Southbank. (Unpublished)

MacPherson, Robin (2009) Shape-Shifters: independent producers in Scotland and the journey from cultural entrepreneur to entrepreneurial culture. In: Scottish Cinema Now. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 222-239. ISBN 978-1-4438-0331-1

Artt, Sarah (2008) Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. In: 21st Century Teenager: medai representation, theory and policy, 10 -12 July 2008, Trinity & All Saints College, Leeds. (Unpublished)

Artt, Sarah (2008) The Rocky Horror Picture Show as self-Reflexive Musical. In: Reading Rocky Horror. Palgrave Macmillan. ISBN 9780230612327

Turner, Phil, Turner, Susan and Tully, Gabriela (2008) The unfamiliar experience of an interactive movie. Behaviour and Information Technology. ISSN 0144-929X

Sellors, Paul (2007) Collective authorship in film. Journal of Aesthetics and Art Criticism, 65 (3). pp. 263-271. ISSN 1540 6245

Artt, Sarah (2007) The woman behind the screen: adapting Edith Wharton's The House of Mirth. In: Women's History Scotland Annual Conference, 13th October 2007, Smith Art Gallery, Stirling. (Unpublished)

Sellors, Paul (2006) A realist account of fiction. Film and Philosophy, 10. pp. 51-66. ISSN 1073-0427

Artt, Sarah (2006) Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". In: Migrant and Diasporic Cinema in Contemporary Europe, 6-8 July 2006, Oxford Brookes University. (Unpublished)

Sellors, Paul (2004) Senso. In: The Cinema of Italy. Wallflower Press, pp. 63-71. ISBN 1-903364-98-1

Schwan, Anne (2004) When feminism collides with the politics of difference: the pitfalls of progressive filmmaking. In: CorpoRealities: In(ter)ventions in an Omnipresent Subject. Koenigstein/Taunus: Helmer, pp. 275-289. ISBN 3-89741-123-7

MacPherson, Robin (2003) The creative producer – the business of art or the art of business? In: CILECT (Centre International de Liaison des Ecoles de Cinéma et de Télévision) Kalos K’agathos - Theory for Practice 3, ‘BEYOND the Theory of Practice’, Cardiff, Cardiff, Wales.

Gray, Gordon T (2002) Malaysian cinema and negotiations with modernity: film and anthropology. PhD thesis, Edinburgh Napier University.

Sellors, Paul (2001) Grafting Union Square onto the Old Rialto: film-going within industrial society. Living Pictures: The Journal of the Popular and Projected Image before 1914., 1 (1). pp. 38-57. ISSN 1467-0577

This list was generated on Sun Mar 29 14:44:23 2015 IST.

Edinburgh Napier University is a registered Scottish charity. Registration number SC018373