INSPIRING FUTURES

Browse by Dewey Subject

Up a level
Export as [feed] RSS
Group by: Creators | Item Type | No Grouping
Number of items at this level: 43.

Article

Medbøe, Haftor and Dias, Jose (2014) Improvisation in the digital age: New narratives in jazz promotion and dissemination. First Monday, 19 (10). pp. 1-26.

Atton, Chris (2014) Curating popular music: authority and history, aesthetics and technology. Popular Music, 33 (3). pp. 413-427. ISSN 0261-1430

Atton, Chris (2012) Listening to 'difficult albums': specialist music fans and the popular avant-garde. Popular Music, 31 (3). pp. 347-361. ISSN 0261-1430

Harkins, Paul (2012) Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings. Popular Music and Society, 35 (5). pp. 629-649. ISSN 0300-7766

Harkins, Paul (2012) La transmission perdue et retrouvée. (Transmission lost and found). Réseaux, 172 (2). p. 92.

Davismoon, Stephen (2004) The transmutation of the ‘old’ with the ‘new’ in the modernist vision of Edgard Varèse. Contemporary Music Review, 23 (1). pp. 45-58. ISSN 0749-4467

Atton, Chris (2002) Review of "Progressive Rock Reconsidered". Popular Music, 21 (3). pp. 386-388. ISSN 0261-1430

Atton, Chris (1999) Herein(g) the Sonic Arts Union: an anthology of transformations. The Sound Projector (6). pp. 28-30.

LePlâtre, Grégory and Brewster, Stephen A (1999) Perspectives on the design of musical auditory interfaces. International Journal of Computing Anticipatory Systems, 4. pp. 227-239. ISSN 1373-5411

Atton, Chris (1988) Some answers to some questions about improvised music. Improvisor (8). pp. 32-40.

Atton, Chris (1988) Improvised music: some answers to some questions. Contact: a journal of contemporary music (33). pp. 13-17. ISSN 0308 5066

Book Section

Atton, Chris (2010) In search of cultural politics in a Fall fanzine. In: Mark E. Smith and the Fall: Art, Music and Politics. Ashgate Popular and Folk Music Series . Ashgate, Farnham, pp. 169-180. ISBN 9780754668671

Conference or Workshop Item

Medbøe, Haftor (2014) Dictated dichotomies: Locating Scandinavian jazz. In: Rhythm Changes 2014 - Jazz Beyond Borders, 4 - 7 September 2014, Amsterdam NL. (Unpublished)

Medbøe, Haftor (2014) Jazz Scenes and Networks in Europe: Repackaging Independent Jazz – New Strategies for Emerging Markets. In: KISMIF conference: Underground music scenes and DIY cultures, 8 - 11 July 2014, Porto PT. (Unpublished)

Medbøe, Haftor (2014) Popular music provision at Edinburgh Napier University: observations and points of enquiry. In: Popular Music Pedagogy, 24 January, 2014, University of Edinburgh. (Unpublished)

Medbøe, Haftor (2013) The promoter as cultural conduit: between jazz and a hard place. In: Jazz Talks: 1st university of Aveiro jazz conference, 8 - 9 November 2013, Aveiro PT. (Unpublished)

Medbøe, Haftor (2011) Cultural identity and creative autonomy in Nordic jazz. In: Rhythm Changes: Jazz and National Identities conference 2011, 1-4 September 2011, Amsterdam NL. (Unpublished)

Atton, Chris (2011) Big noise, little worlds: genre and the cultural politics of territory in the live experience of “extreme” music. In: The business of live music, 31 March - 2 April 2011, University of Edinburgh. (Unpublished)

Fitch, Lois (2005) Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough. In: Fourth Biennial International Conference on Twentieth Century Music, 25-28 August 2005, University of Sussex.

Thesis

Medbøe, Haftor (2013) Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration. PhD thesis, Edinburgh Napier University.

Allori, Sonia (2011) Music, text, gender and notions/influences of an Italian cultural perspective as the source for original music compositions. PhD thesis, Edinburgh Napier University.

Composition

Hails, John and Hopkins, Gerard Manley (2014) Pied Beauty. [Composition] (Unpublished)

Hails, John (2012) EMG. [Composition]

Burton, Katrina (2009) 951912. [Composition]

Hails, John (2008) BE GOOD. [Composition]

Ferguson, Paul and Hook, Dave (2005) In Perpetuity. [Composition]

Dempster, Kenneth (2005) Six feet of blood. [Composition]

Dempster, Kenneth (2005) The Cold Dancer. [Composition]

Burton, Katrina (2004) The Chrysler Cycle. [Composition]

Hails, John (2003) De contemplationis digitis. [Composition]

Hails, John (2003) Lovesongs. [Composition]

Hails, John (2002) Cantus 1. [Composition]

Hails, John (2001) Der Heimat zu. [Composition]

Performance

Ashton, Nicholas (2007) Robert Crawford: works for piano. [Performance]

Pape, Gerard and Ferguson, Paul (2007) Machenbach IV. [Performance]

Dempster, Kenneth (2005) Six feet of blood. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2005) McEwan’s Fantasy Quintet. [Performance]

Ferguson, Paul (2004) Bartok & Kodaly. (Linn Records CKD 234). [Performance]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2003) Perseverance. [Performance]

Ashton, Nicholas, Beeston, Michael, Burrin, Phillip and Mutter, C (2002) Chamber music performances with the Edinburgh Quartet. [Performance]

Audio

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) Frontiers and Bridges. [Audio]

Malcolm, Calum (2006) Messiah (Dublin version 1742). [Audio]

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Hans Gal – the complete string quartets. [Audio]

This list was generated on Fri Nov 28 06:09:48 2014 GMT.

Edinburgh Napier University is a registered Scottish charity. Registration number SC018373