Browse by Dewey Subject
Number of items at this level: 46.
Hails, John (2015) Sh. [Composition]
Medboe, Haftor (2015) The compass of Nordic tone: jazz from Scandinavia. In: Nordic Research Network 2015, 18 - 19 February 2015, University of Edinburgh, Edinburgh UK. (Unpublished)
Hails, John (2014) Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action. In: Music and shared imaginaries: nationalisms, communities, and choral singing, October 30th - November 1st 2014, University of Aveiro, Aveiro, Portugal. (Submitted)
Medbøe, Haftor and Dias, Jose (2014) Improvisation in the digital age: New narratives in jazz promotion and dissemination. First Monday, 19 (10). pp. 1-26.
Medbøe, Haftor (2014) Dictated dichotomies: Locating Scandinavian jazz. In: Rhythm Changes 2014 - Jazz Beyond Borders, 4 - 7 September 2014, Amsterdam NL. (Unpublished)
Hails, John and Hopkins, Gerard Manley (2014) Pied Beauty. [Composition] (Unpublished)
Medbøe, Haftor (2014) Jazz Scenes and Networks in Europe: Repackaging Independent Jazz – New Strategies for Emerging Markets. In: KISMIF conference: Underground music scenes and DIY cultures, 8 - 11 July 2014, Porto PT. (Unpublished)
Medbøe, Haftor (2014) Popular music provision at Edinburgh Napier University: observations and points of enquiry. In: Popular Music Pedagogy, 24 January, 2014, University of Edinburgh. (Unpublished)
Atton, Chris (2014) Curating popular music: authority and history, aesthetics and technology. Popular Music, 33 (3). pp. 413-427. ISSN 0261-1430
Medbøe, Haftor (2013) The promoter as cultural conduit: between jazz and a hard place. In: Jazz Talks: 1st university of Aveiro jazz conference, 8 - 9 November 2013, Aveiro PT. (Unpublished)
Medbøe, Haftor (2013) Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration. PhD thesis, Edinburgh Napier University.
Atton, Chris (2012) Listening to 'difficult albums': specialist music fans and the popular avant-garde. Popular Music, 31 (3). pp. 347-361. ISSN 0261-1430
Hails, John (2012) EMG. [Composition]
Harkins, Paul (2012) Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings. Popular Music and Society, 35 (5). pp. 629-649. ISSN 0300-7766
Harkins, Paul (2012) La transmission perdue et retrouvée. (Transmission lost and found). Réseaux, 172 (2). p. 92.
Medbøe, Haftor (2011) Cultural identity and creative autonomy in Nordic jazz. In: Rhythm Changes: Jazz and National Identities conference 2011, 1-4 September 2011, Amsterdam NL. (Unpublished)
Atton, Chris (2011) Big noise, little worlds: genre and the cultural politics of territory in the live experience of “extreme” music. In: The business of live music, 31 March - 2 April 2011, University of Edinburgh. (Unpublished)
Allori, Sonia (2011) Music, text, gender and notions/influences of an Italian cultural perspective as the source for original music compositions. PhD thesis, Edinburgh Napier University.
Atton, Chris (2010) In search of cultural politics in a Fall fanzine. In: Mark E. Smith and the Fall: Art, Music and Politics. Ashgate Popular and Folk Music Series . Ashgate, Farnham, pp. 169-180. ISBN 9780754668671
Burton, Katrina (2009) 951912. [Composition]
Hails, John (2008) BE GOOD. [Composition]
Ashton, Nicholas (2007) Robert Crawford: works for piano. [Performance]
Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) Frontiers and Bridges. [Audio]
Pape, Gerard and Ferguson, Paul (2007) Machenbach IV. [Performance]
Malcolm, Calum (2006) Messiah (Dublin version 1742). [Audio]
Fitch, Lois (2005) Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough. In: Fourth Biennial International Conference on Twentieth Century Music, 25-28 August 2005, University of Sussex.
Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Hans Gal – the complete string quartets. [Audio]
Dempster, Kenneth (2005) Six feet of blood. [Performance]
Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2005) McEwan’s Fantasy Quintet. [Performance]
Ferguson, Paul and Hook, Dave (2005) In Perpetuity. [Composition]
Dempster, Kenneth (2005) Six feet of blood. [Composition]
Dempster, Kenneth (2005) The Cold Dancer. [Composition]
Burton, Katrina (2004) The Chrysler Cycle. [Composition]
Davismoon, Stephen (2004) The transmutation of the ‘old’ with the ‘new’ in the modernist vision of Edgard Varèse. Contemporary Music Review, 23 (1). pp. 45-58. ISSN 0749-4467
Ferguson, Paul (2004) Bartok & Kodaly. (Linn Records CKD 234). [Performance]
Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2003) Perseverance. [Performance]
Hails, John (2003) De contemplationis digitis. [Composition]
Hails, John (2003) Lovesongs. [Composition]
Hails, John (2002) Cantus 1. [Composition]
Atton, Chris (2002) Review of "Progressive Rock Reconsidered". Popular Music, 21 (3). pp. 386-388. ISSN 0261-1430
Ashton, Nicholas, Beeston, Michael, Burrin, Phillip and Mutter, C (2002) Chamber music performances with the Edinburgh Quartet. [Performance]
Hails, John (2001) Der Heimat zu. [Composition]
Atton, Chris (1999) Herein(g) the Sonic Arts Union: an anthology of transformations. The Sound Projector (6). pp. 28-30.
LePlâtre, Grégory and Brewster, Stephen A (1999) Perspectives on the design of musical auditory interfaces. International Journal of Computing Anticipatory Systems, 4. pp. 227-239. ISSN 1373-5411
Atton, Chris (1988) Some answers to some questions about improvised music. Improvisor (8). pp. 32-40.
Atton, Chris (1988) Improvised music: some answers to some questions. Contact: a journal of contemporary music (33). pp. 13-17. ISSN 0308 5066