INSPIRING FUTURES

Browse by Dewey Subject

Up a level
Export as [feed] RSS
Group by: Creators | Item Type | No Grouping
Number of items at this level: 71.

Harris, Michael (2016) The Auld Alliance: Organ music from Scotland and France. [Audio]

Hails, John (2016) Nine for ones in nine: a schizophrenic cyborg love story. In: Guest lecture, 20 April 2016, Edinburgh Napier University. (Unpublished)

Ferguson, Paul (2016) Real-time long-distance music collaboration using the Internet. Transactions on Innovation in Music, 2 (1). (Submitted)

Harris, Michael (2016) The complete organ sonatas of August Ritter. [Audio]

Burton, Katrina (2015) Madlener House. [Composition]

Ferguson, Paul (2015) Real-time teaching of musicianship and audio engineering using LOLA – ‘LOw LAtency audio/ video streaming. In: 26th UK AES Conference on Audio Education 2015 Glasgow, UK., 26th to 28th September 2015, Glasgow, UK.

Ubik, Sven, Allochio, Claudio, Ferguson, Paul, Smith, Emma and Urban, Ondrej (2015) eMusic Open Call Deliverable OCI-DS3.2 Final Report. Project Report. GEANT.

Brechin, Sandy, Martin, Ronan, Agnew, Chris and Currie, John (2015) The Keilidh. [Performance] (Unpublished)

Hails, John (2015) Sh. [Composition]

Atton, Chris (2015) Writing about popular music: continuity, change and convergence in a digital age. In: Musikkritik: Historische Zugänge und systematische Perspektiven. Anklaenge: Wiener Jahrbuch für Mikwissenschaft . Mille Tre Verlag, Vienna, pp. 11-32. ISBN 9783900198428

Medbøe, Haftor (2015) The compass of Nordic tone: jazz from Scandinavia. In: Nordic Research Network 2015, 18 - 19 February 2015, University of Edinburgh, Edinburgh UK. (Unpublished)

Burton, Katrina (2014) Making Connections. [Composition]

Hails, John (2014) Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action. In: Music and shared imaginaries: nationalisms, communities, and choral singing, October 30th - November 1st 2014, University of Aveiro, Aveiro, Portugal. (Submitted)

Medbøe, Haftor and Dias, Jose (2014) Improvisation in the digital age: New narratives in jazz promotion and dissemination. First Monday, 19 (10). pp. 1-26.

Medbøe, Haftor (2014) Dictated dichotomies: Locating Scandinavian jazz. In: Rhythm Changes 2014 - Jazz Beyond Borders, 4 - 7 September 2014, Amsterdam NL. (Unpublished)

Hails, John and Hopkins, Gerard Manley (2014) Pied Beauty. [Composition] (Unpublished)

Medbøe, Haftor (2014) Jazz Scenes and Networks in Europe: Repackaging Independent Jazz – New Strategies for Emerging Markets. In: KISMIF conference: Underground music scenes and DIY cultures, 8 - 11 July 2014, Porto PT. (Unpublished)

Burton, Katrina (2014) from Webern to dance to Burton. [Composition]

Medbøe, Haftor (2014) Popular music provision at Edinburgh Napier University: observations and points of enquiry. In: Popular Music Pedagogy, 24 January, 2014, University of Edinburgh. (Unpublished)

Atton, Chris (2014) Curating popular music: authority and history, aesthetics and technology. Popular Music, 33 (3). pp. 413-427. ISSN 0261-1430

Burton, Katrina (2013) Dialogue for bass clarinet and bassoon. [Composition]

Medbøe, Haftor (2013) The promoter as cultural conduit: between jazz and a hard place. In: Jazz Talks: 1st university of Aveiro jazz conference, 8 - 9 November 2013, Aveiro PT. (Unpublished)

Medbøe, Haftor (2013) Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration. PhD thesis, Edinburgh Napier University.

Ferguson, Paul (2013) Using Low-Latency Net-Based Solutions to Extend the Audio and Video Capabilities of a Studio Complex. In: Audio Engineering Society International Convention #134, 4-7 May 2013, Rome, Italy.

Atton, Chris (2012) Listening to 'difficult albums': specialist music fans and the popular avant-garde. Popular Music, 31 (3). pp. 347-361. ISSN 0261-1430

Hails, John (2012) EMG. [Composition]

Brechin, Sandy, Smith, Alison and Currie, John (2012) BBC Radio Scotland - The Golf Show - Theme Tune. [Audio]

Harkins, Paul (2012) Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings. Popular Music and Society, 35 (5). pp. 629-649. ISSN 0300-7766

Harkins, Paul (2012) La transmission perdue et retrouvée. (Transmission lost and found). Réseaux, 172 (2). p. 92.

Medbøe, Haftor (2011) Cultural identity and creative autonomy in Nordic jazz. In: Rhythm Changes: Jazz and National Identities conference 2011, 1-4 September 2011, Amsterdam NL. (Unpublished)

Atton, Chris (2011) Big noise, little worlds: genre and the cultural politics of territory in the live experience of “extreme” music. In: The business of live music, 31 March - 2 April 2011, University of Edinburgh. (Unpublished)

Allori, Sonia (2011) Music, text, gender and notions/influences of an Italian cultural perspective as the source for original music compositions. PhD thesis, Edinburgh Napier University.

McGarvey, Pat, Stewart, Katherine, Butler, Rory, Purcell, Chris, Macfadyen, Craig, Fivey, Steve and Currie, John (2011) Pencaitland - Southern Tennant Folk Union. [Audio]

Brechin, Sandy, Currie, John, Brady, Peter, Chalmers, Sheila, Wilkinson, Ewan and Werner, Richie (2011) The Sunday Night Sessions - Sandy Brechin and Friends. [Audio]

Fitch, Lois and Hails, John (2010) Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough. In: Contemporary Music: Critical and Theoretical Perspectives. Ashgate, Aldershot, UK, pp. 319-330. ISBN 978-0754604976

Burton, Katrina (2010) Miniatures for Horn Trio. [Composition]

Atton, Chris (2010) In search of cultural politics in a Fall fanzine. In: Mark E. Smith and the Fall: Art, Music and Politics. Ashgate Popular and Folk Music Series . Ashgate, Farnham, pp. 169-180. ISBN 9780754668671

Burton, Katrina (2009) 951912 for orchestra. [Composition]

Brechin, Sandy, Wilkinson, Ewan, Katz, Mike and Currie, John (2009) Hard Times Come and Go. [Audio]

Burton, Katrina (2008) 74 Front Street (for solo cello). [Composition]

Burton, Katrina (2008) NY10128. [Composition]

Hails, John (2008) BE GOOD. [Composition]

Ashton, Nicholas (2007) Robert Crawford: works for piano. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2007) Frontiers and Bridges. [Audio]

Brechin, Sandy and Currie, John (2007) Electric Landlady - The Sensational Jimmy Shandrix Experience. [Audio]

Pape, Gerard and Ferguson, Paul (2007) Machenbach IV. [Performance]

Malcolm, Calum (2006) Messiah (Dublin version 1742). [Audio]

Rodger, J and Davismoon, Stephen (2006) Patricia's Songs. [Performance] (Unpublished)

Brechin, Sandy, Marwick, Gavin, Agnew, Chris, Taylor, David, Brown, Alan and Currie, John (2006) Unstoppable - Burach. [Audio]

Fitch, Lois (2005) Adorno and Deleuze: a dialectical relationship in the music and thought of Brian Ferneyhough. In: Fourth Biennial International Conference on Twentieth Century Music, 25-28 August 2005, University of Sussex.

Bailey, Mark, Beeston, Michael, Burrin, Phillip and Mutter, C (2005) Hans Gal – the complete string quartets. [Audio]

Dempster, Kenneth (2005) Six feet of blood. [Performance]

Beeston, Michael, Bailey, Mark, Burrin, Phillip and Mutter, C (2005) McEwan’s Fantasy Quintet. [Performance]

Ferguson, Paul and Hook, Dave (2005) In Perpetuity. [Composition]

Dempster, Kenneth (2005) Six feet of blood. [Composition]

Dempster, Kenneth (2005) The Cold Dancer. [Composition]

Burton, Katrina (2004) The Chrysler Cycle. [Composition]

Burton, Katrina (2004) Water, reflected. [Composition]

Davismoon, Stephen (2004) The transmutation of the ‘old’ with the ‘new’ in the modernist vision of Edgard Varèse. Contemporary Music Review, 23 (1). pp. 45-58. ISSN 0749-4467

Ferguson, Paul (2004) Bartok & Kodaly. (Linn Records CKD 234). [Performance]

Burrin, Phillip, Bailey, Mark, Beeston, Michael and Mutter, C (2003) Perseverance. [Performance]

Hails, John (2003) De contemplationis digitis. [Composition]

Hails, John (2003) Lovesongs. [Composition]

Hails, John (2002) Cantus 1. [Composition]

Atton, Chris (2002) Review of "Progressive Rock Reconsidered". Popular Music, 21 (3). pp. 386-388. ISSN 0261-1430

Ashton, Nicholas, Beeston, Michael, Burrin, Phillip and Mutter, C (2002) Chamber music performances with the Edinburgh Quartet. [Performance]

Hails, John (2001) Der Heimat zu. [Composition]

Atton, Chris (1999) Herein(g) the Sonic Arts Union: an anthology of transformations. The Sound Projector (6). pp. 28-30.

LePlâtre, Grégory and Brewster, Stephen A (1999) Perspectives on the design of musical auditory interfaces. International Journal of Computing Anticipatory Systems, 4. pp. 227-239. ISSN 1373-5411

Atton, Chris (1988) Some answers to some questions about improvised music. Improvisor (8). pp. 32-40.

Atton, Chris (1988) Improvised music: some answers to some questions. Contact: a journal of contemporary music (33). pp. 13-17. ISSN 0308 5066

This list was generated on Sat Jul 30 11:56:55 2016 UTC.

Edinburgh Napier University is a registered Scottish charity. Registration number SC018373